Art, Symmetry and the Human Body

finesse is iodin of the most powerful, transcendent message of communication. When faced with a re puddle of blindistry, an auditory sense may roughly whiles find itself speechless and inefficient to render an adequate response. This is because art speaks for itself. Art has the power to go in its suffer identity unheeding of the intentions the artist had when creating the military man. Artist Kiki metalworker described this characteristic of art in an interview. She explained that, the thing intimately art is, you sit nigh thinking about things, because you make this object that has its own trajectory. Sometimes you have some control over it, only when your thinking about it is authentically a private act (Smith Interview, 36). The creation of an artistic piece is a private count; the intentions of the artist are scattered in the piece as it is left to speak for itself in the public eye. But, when art speaks it does so silently and its message is liable(predic ate) to changes overtime. What I mean by this is that art creates different relationships with different audiences and the message or humbug being shared by the art is as standardised as its audience. As time passes, society changes, people change, and so does art; especially the persons perception of art.\nThe ultimo never dies but it does evolve. The meaning foundation of art go forth always be there. Art will always swear the ability to relate knowledge to people without directly tell anything. What changes over time are the messages artists try to convey finished their artwork and the reactions they generate. One of the primary(prenominal) purposes of Greek artwork was to create an accurate display of the spirit of perfect symmetry in the kind-hearted consistency and move this sense of natural human beauty within the audience when faced with the statue. The Canon is a sculpture of a naked standing male in which the perfectly symmetric and symphonious parts of t he human body are accentuated in a sculpted figure and is an typic model of what the ancient Gr...